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Nov. 14th, 2006 @ 02:03 am Blackout Shoppers - Used Cars/No Decision (Self Released - 2006)
This primal blast of pure old-school NYHC has the power to thrash, smash and beat the living soul out of everything it encounters. Clocking in at barely five minutes (two songs people), not a moment is wasted. Every moment burns with a considerably aggression and melodic power, twisting and turning like a snake in a trap. Razorblade guitars, static-rage vocals, bulldozer bass and machine gun drumming come from all sides, building a memorable cacophony that never forgets the power of the almighty hook. As a live and recorded unit, the Blackout Shoppers pull no punches and push the adrenaline like a subway on a collision course with a brick wall.

You can't afford to miss this...

http://www.blackoutshoppers.com
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May. 10th, 2005 @ 10:25 pm R.I.P.
Original METAL CHURCH Singer DAVID WAYNE Dies - May 10, 2005

Original METAL CHURCH frontman David Wayne has passed away. According to the webmaster of the David Wayne's Metal Church web site, "we are unclear as to actually what happened. We are putting together an official press release and will post that out as soon as we get it done."

Wayne sang on METAL CHURCH's first two classic offerings (1984's "Metal Church" and 1986's "The Dark") before leaving the group and being replaced by Mike Howe. Wayne subsequently teamed up with members of HERETIC members to form REVEREND, with whom he released two full-length albums and a couple of EPs. He eventually rejoined METAL CHURCH in time for the 1999 reunion album, "Masterpeace". A "solo" album (under the WAYNE banner), entitled "Metal Church" followed in 2001.

www.blabbermouth.net
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Dec. 25th, 2004 @ 08:30 am Minor Threat - Complete Discography (1989 - Dischord)
Minor Threat - Complete Discography (1989 - Discord) [Dec. 25th, 2004|08:29 am]
Minor Threat are among the most important bands to ever leave their mark on the punk scene. While they never had the longevity of the Ramones or the massive sales of the Sex Pistols they came to define an entire movement that on even today. Ian McKaye and company thumped with a double-time tough guy punk vibe that helped get the hardcore movement off and running. Being the kings of the D.C. scene they also inspired much of the intellectual side of the hardcore scene that many in other areas were attempting to avoid. Liberal without being weak, intelligent without being nerdy (well - excluding Brian Baker), and musically powerful as all hell - Minor Threat are to be held among the legends.

This compilation of their entire released catalog (other tracks do exist elsewhere) with classics and clunkers alike. It's all mixed up and mastered to sound nice and clear and the redone artwork includes full lyrics and photographs that chronicle the bands rise to power. Thankfully it lacks a big rant from a famous critic (classy) with all sorts of pointless praise and instead includes the classic cover artwork to "Out of Step" on the back. From beginning to end, Minor Threat evolved from a primitive hardcore band with a brain that howled against the system to a rather melodic band that hinted at Ian McKaye's future projects. With Minor Threat there isn't such thing as a dull moment, and this compilation does much to cement this fact.

The key tracks that help define the band to a newcomer might include the double-kicking "Filler", the raging "Screaming at a Wall", and personal anthem "Minor Threat". Other key performances pop up on "12XU" and "Guilty of Being White" as well. While this CD really doesn't have any missing links, these tracks are a good introduction to the band and will help the beginner find his way around the ever-important world of Minor Threat. If you've been in the hardcore scene long enough and you don't own all of these songs and you need to be reading the review - shame on you.

Minor Threat are a classic band from a time long by that needs to be continually praised and remembered for their short career. Unlike many bands they left when they should have, avoided a crap reunion and kept the memory alive through recordings that are still powerful to this day. If you're an old-skool fan you should already own these tracks. If you're new to all of this...BUY IT!

You won't regret the decision.
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Aug. 22nd, 2004 @ 01:25 pm Ravage - Curse of Heaven (2003 - Self-Released)
Al Ravage and co. impress yet again with their latest release "Curse of Heaven". Stunningly produced with a thick drum sound and one damned thick guitar mix the mini-LP strikes out with a certain refined power the band had been missing on previous demos. This is obviously a creation with a great deal of care put into it. The artwork, the songwriting and the musicianship all impress and make you wonder why Metal Blade hasn't come and snatched this persistent young act from the underground yet. Despite not being on a bigger label, these boys put on a label sized show on this mini-LP that cannot be ignored.

The strongest cut on this short release is the swaggering "Terror's Head" with a monster riff and some cool vocals from Al. (Interesting lyric turn as well...so listen closely.) Other cool cuts include the slightly "epic" turns of "Curse of Heaven" and the sliding "The Wicked Way". None of the songs on this six song sample of the bands unique (true) power metal fail though. The lyrics use fantasy as metaphor and not a cop out, the band composes with strength and confidence and the overall feel avoids feeling "retro". It's not their most aggressive writing - but hardly a letdown.

Some may yearn for the more thrash oriented material of the earlier demos but this record is a fine example of where classy power metal can actually stir and inspire the listener instead of boring him to tears with pointless cliches and poor lyrics. Al and his merry band of metal pranksters kick along with vigor to challenge any of the "label brand" power metal bands and shall hopefully find themselves on a quality label soon.

Until then...I say BUY IT...

http://www.665.com/ravage
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Aug. 20th, 2004 @ 08:19 am NON - God and Beast (1997 - Mute)
NON strike back with this menacing mix of loops, grating sounds and interesting beats that will leave any fan of the "electronic ritual" satisfied. The group mixes the raw natures of early industrial with ritual-styled sounds and beatwork to compose a strong (aka consistent) work that scrapes and slides through the darker aspects of the human psyche. The playing is perfectly co-ordinated leaving little to critique and the production is digital and clear. This doesn't remove the edge from the work, it more creates a seperation from the warmth of the body and the cold of the mind, leaving the listener in a suspended state of thought. Quality production and diverse atmospheres mark the NON landscape with even more digitized darkness than previously unveiled on the groups earlier recordings.

The strongest numbers presented on this release shiver and scortch through various strong soundscapes such as the opening "God and Beast" along with the powerful "Millstones". All of the material is varied enough to carry a strong mood and nothing falls into the electronic-dance kitsch that kills much of this material for me. Much like a ritual itself, this music ebs and flows in patterns that stimulate the mind into a strange state of gentle sensory violence. Compositionally raw, yet completely structured all at once. Loose nerves, deep thoughts and a forboding sense of purpose mark the songs on this release.

NON are a strange entity that few will be able to comprehend, but for those "in the know" this is a strong release. The pretense is overpowered by the strong sense of mood and melody that permeates it's digital-clear (hence cold) mix. Quality music for exploring the raw intellect - leaving the emotion to struggle in it's own realm seperated from the raw shots and wanderings of the mind.

I suggest that you buy it...
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Aug. 20th, 2004 @ 02:05 am Skinny Puppy - Greater Wrong of the Right (2004 - Synthetic Symphony/SPV)
Skinny Puppy have managed to impress me yet again with this new record. It seemed odd to me that this comeback would happen, as I figured the band would be wise enough to stay away from touching a near-flawless legacy that few could compete with. When I heard about the coming release I waited with much anxiety as to how the quality of the composition and strength of the performance would come through. Thankfully this is a skilled, hungry and well-produced effort from the veterans that show them playing up their current strengths and avoiding all of the potential weaknesses that can come with age. (This is something that Ministry have been struggling with despite still creating interesting records.) Skinny Puppy caught the mood of the day and ran with it - avoiding the curse of the "comeback" record almost entirely.

The songcraft alone is some of the most intensively cared for - yet somewhat relaxed work that the band has thrown together. The electronics weave with a certain complexity that entertains and almost relaxes. Despite the harsh electronics, the mood is older and wiser and the band allows it's growing mental faculties to be shown in full force. This of course, is a good thing as the band did not attempt to compose songs as it did when they were in their prime. This material may not replace the early albums but it hardly shames them and comfortably sits among the pack. The band took the high rode and wrote from the current mind and did NOT play on nostalgia - this is pleasing.

No - I won't throw away my early albums or call this a life changing release but I will call it worthy of many listens and your hard earned dollar. The band have worked hard to keep the spirit alive and so it is. The muse remains intact as does the legacy.

Call me impressed.
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Aug. 11th, 2004 @ 08:46 am Cannibal Corpse - Sacrifice / Confessions (2000 - Metal Blade)
The band find themselves ripping out two decently-played and decently produced covers that do nothing for or against the bands career. The song choices could have been much worse, but this one-tone delivery of the death metal style does little to lift either of these songs above the typical "death metal band does cover of other bands". It's good - but it's not great, it's solid - but not worth tracking down if you love the current incarnation of the group.

This is neither here nor there...and not nessecary at all for the purposes of death metal fans. It's a nice novelty item but damnit, just download the songs and avoid trying to fight for this on E-bay would ya?

http://www.cannibalcorpse.net/
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Aug. 10th, 2004 @ 12:08 am Flesheater...
Download the new Flesheater tracks HERE:

http://www.audiostreet.net/flesheater
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Aug. 10th, 2004 @ 12:03 am Danzig - 4p
While the first three Danzig records get all the praise this is the favorite record of many wall crawling weirdos all over the world. It's trancelike and wicked, the vocals are raw and without hope. Classic blues grind like "Going Down to Die" and the mystical "Dominion" are not entirely new to Danzig but sound entirely new due to his more pensive disposition. This record is hardly angry, it's more thoughtful than anything. This is Danzig's epitah record if anything and it's full of grimace and grief. Not the swaggering Danzig than before, but a more intricate and dare I say, intelligent one.

Riff wise this is more powerful in it's use of subtle caress on the guitar. No overpowering "Twist of Cain" here. This record is more about the slither and slide with much blues work beind done and lesser emphasis on the weight of the guitar. "Stalker Song" even has a track that is screaming like the guitar itself is being tortured. The layers and moods are more important to this record than the overt riffery. This record bears well on many repeat listens due to it's multilayered expression.

This is not the exciting blues drive of his first, the epic second or the life shattering third. This record is far more bleak than that. In fact it's probably one of the few records I heard that captures the feeling of a "Dirty Black Summer." Buy or die assholes. You have no other choice.

http://www.the7thhouse.com
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Aug. 9th, 2004 @ 07:24 pm Devil to Pay - 30 Pieces of Silver
Devil to Pay are a name that's been sneaking around the hard-rock underground for many months now. Playing big-and-boozy Black Sabbath inspired stoner-rock-metal the band has written a load of solid riffs and zoned-out lyrics to destroy the mind of any stoner whom might venture to it. These boys can play with a might, weight and aggression that has been mostly nonexistent in the recent times of the stoner/doom metal surge. Most weed-tokin' bands write songs about cosmic cars that sound more garage rock and than brutal rock. Artists like Fu Manchu and Nebula have little to do with this. I dare say this could be described as a more motivated Electric Wizard.

These boys know how to write a tune. They are probably one of the few "up and coming" bands to write a record that left me hummings riffs and phrases from it the hour after I put it on. From top to bottom the riffs all bear a similar tone - but not TOO similar riffage. This has heavy bounce, witty lyrics and a production value all of it's own. Neither too modern, nor too retro...these boys have captured the vibe of angry stoners worldwide. Qaulity, quality songcraft is contained on this plastic disc to the shock of most I've known.

I am shocked, I thought this CD would be a barely-passable stoner-romp through the tried and true vibe of Black Sabbath with none of the aggression or strange natures that the original band presented. Devil to Pay have injested the steaming heart of Black Sabbath, and wrapped it in a flesh of cynical humor and attitude lifted straight from the modern age.

I am highly impressed with these young men...may be the next CD be even better.

BUY OR DIE!!!

http://www.deviltopay.com
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Aug. 9th, 2004 @ 04:46 am Six Feet Under - Alive and Dead (1996 - Metal Blade)
This E.P. is an example of the silliness of Six Feet Under at it's greatest and at it's worst. A death metal band (other than Death) covering Judas Priest is a pretty silly idea, the live production isn't horrible but could have been a little fuller and the originals reek of "write now think later". This though, was used to promote the band against an increasingly successful Cannibal Corpse whom had found the majority of the benefit sales-wise from the drama resulting from the Barnes split. Barnes wanted to prove the Six Feet Under was here to stay...and this release is enough to hold hardcore Barnes fans over for a moment or two.

The two new songs aren't good nor bad...with "Drowned" being the finer of the two new compositions. The Priest cover of "Grinder" is an absolute joke though and offers little to be examined. The live tracks plod along from "Haunted" solidly enough. The production could have been stronger but hey...it's a bonus E.P. right? The slamming version of "Human Target" cannot be denied. "Suffering in Ecstasy" and Lycanthropy" aren't half bad either. The best material obviously is culled from a previous record so one can't fairly label this release as a songwriting success for the masters of slow-burn death metal.

If you aren't a big fan of Six Feet Under there really isn't any reason to be part of this recording. If you're only a passing fan I might say the same. For people like me who are gluttons for punishment and claim everything Barnes puts to record no matter what - this has a few worthy moments.

Odd...as the following "Warpath" would show the band at their Celtic Frost aping best while the originals on this are simple "there".

Wonders never cease...

http://www.sfu420.com
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Aug. 2nd, 2004 @ 08:37 am Voivod - Lives (2000 - Metal Blade)
Voivod are a band that should be able to deliver a highly destructive, intellectually intense, and moving live document of their vast and varied history. Sadly, Voivod have decided to release a weak (though often entertaining) collection of Voi-metal that falls short of the high expectations we have come to appreciate. Sure, Eric Forrest is a good musician and covers the old songs well, but something here is missing. The band are tight...almost tight to the point of being stiff. The production is flattened and odd and the record doesn't place you in the front of row of the crowd as a concert recording should do. Even the booklet is devoid of effort...it makes you wonder what contract clause this record was made to fufill. It's Voivod so it's solid...but solid from a band that is often great ranks as a vast dissapointment despite it's momentary enjoyability.

The band runs through some classics such as "Tribal Convictions" and "Ravenous Medicine" alongside newer material like the classic "Nanoman". The record is too oriented to obscure new songs that really don't match up to the older classics to feel complete unfortunatly. The bands deep back catalog is barely touched upon. While these songs are all reasonaly good - the record falls a bit flat when only a handful of the songs being those that the common Voivod fanatic such as myself would have loved to hear new versions of.

Voivod will please with this, simply because it matches a certain standard of skill and class that only Voivod could reach at their worst. Unfortunatly, the record is also quite dull in many respects. As a Voivod fanatic the cover of "In League With Satan" was enough reason to buy this...but don't be expecting something with the firepower commonly expected from the Voivod machine.

Meh...

http://www.voivod.net/
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Aug. 2nd, 2004 @ 08:23 am Paradise Lost - Symbol of Life (2002 - Koch)
Paradise Lost could have been the band to blow doom out to the open market but instead chose to take the path often traveled and slipped into the softer "goth rock" mode that plagues so many bands that wish to reach a larger audience. I for one noticed that with the haircuts went the testicles and what we have hear is a well produced goth-rock CD with occasional metal guitars and a few carefully placed goth-hook choruses to sell the band to a larger worldwide audience/movement. Thankfully for us, sales didn't spike as they hoped and the band has found themselves releasing a record that takes their past glories and dumbs them down to a science of pop-goth-metal that does little to bolster either genre or the credibility of Paradise Lost.

Many of the songs feature a droning mix of keyboards and guitars that lack the mournful feel of the early albums or the vibrant mix of other (still lame) successful goth-metal acts. "Erased" features an infectious chorus bit as do a few others but it does little to show the band as serious artists. The vocals are the same, the guitars/keys play the same melodies...but the writing is of a lighter heart that finds the band reaching out to the gothic danceclubs instead of the sweaty metal underworld. In doing so, the songs lack any form of serious conviction. This is an unfortunate leaning that not even an infectious goth-pomp chorus can erase.

Paradise Lost have sold their souls to the mundane. No longer powerful doom, not good enough at the gothic movement to become celebrities outside of a nation they already ruled...the band is lost in a river without a paddle on this record.

If you love gothic metal or desire every single thing the band has released this will have it's moment for you...but on a whole the record reflects as insincere, cold and without artistic purpose.

Skip it and buy "Gothic" or "Icon".
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Jul. 31st, 2004 @ 06:55 pm Nattefrost - Blood & Vomit (2004 - Season of Mist)
Nattefrost is my favorite black metal bastard. The guy just has the cool of a black metal Bon Scott with the attitude of Johnny Rotten to book. There is no doubt that his filthy brand of black metal with Carpathian Forest produced some classic records and his newer work has been even more flippant. The rock and roll element to his black metal is actually toned down a bit on this, but the attitude has been turned up a notch. This is hard the best album in the world despite his claims on the back of the sleeve ("Probably the best album in the world") but the claim itself shows the attitude this album was made under.

Nattefrost is in fine form, delivering his expertly played black-thrash with such hilarious titles as "Whore (Filthy Whore)" and "Sluts of Hell" at maximum speeds with a fair amount of hook. While nothing here is as catchy as "The Angel and the Sodomizer" from the Carpathian Forest days it all works to create fun headbang that recalls a mixture of faster CF material combined with a strange punk-vibe. Nattefrost is ever the black metal clown prince, dancing in an out of anti-human sarcasm to less-than-kind references to his ladies as naturally as any heroin-addict punk ever did. Flippant, brazen and nasty...this material may not be his best in terms of hook...but it most certainly carries itself through with attitude.

There is no reason to give up Carpathian Forest based on this work and there is no reason that Nattefrost should continue as a solo artist. This works as the perfect "fuck you" one off and fufills the need for fun-loving-christ-beating black metal all at the same time.

It's not really a classic...but it didn't have to be...
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Jul. 31st, 2004 @ 06:49 pm Armagedda - Only True Believers (2003 - Argonia Records)
Armagedda may not be the most original concept to pile up in black metal over the years but they certainly put a lot more into what they do than most of their peers. Strictly violent, strictly evil and bearing more talent than most...Armagedda are more of the real deal than 90% of the current international scrap heap some prefer to call "black metal". The mood is bleak, the musicians actually play the songs with vigor and talent and the nothing seems put on or made to fit into the world of "true black metal" (tm) that has continually allowed the genre to decay to the point of uselessness in many arenas.

The music does drone a bit here and there, but when the bands hits a perfect stride (see the song "Only True Believers") few band have ever been as acidic and hateful. The classic songs are classic, and the drone songs work well as mood music for that satanic ritual or S & M (ha!) session you were planning with your significant other. There is nothing BAD on this CD, and some of it is actually very GOOD. I heartily suggest that any aficando of the black arts listen to this many times to feel all the subtle nuances that mar this record and make it wonderfully horrid and worthy of the black metal genre.

Sadly, these blokes have gone relatively unnoticed for quite some time but with each review and each CDr trade they should become bigger and bigger by the moment. They are too extreme and disinterested in their own press to catch on with the idiot-fringe but they will hopefully become accepted by those in the know and recognized for their worthy contribution to the CD collections of the international legions worldwide.

BUY OR DIE!!!
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Jul. 31st, 2004 @ 06:44 pm Aborym - Cali Yuga Bizarre (1999 - Scarlet Records)
Aborym are one of the stranger bands to make an impact on the black metal scene as of late. Getting more from the concept than the delivery though, has been an unfortunate aspect of their career. This CD is among the weaker releases that the band has produced and despite the appearence of Attila (you know which one) I am left somewhat cold after a spin or two. The production is good, the vibe is good and the vocals all work...it's just that something is missing on this slab of plastic.

Aborym creates songs from a mixture of traditional black metal and electronic music. This in itself should produce amazing results but the overall feel is off. Where there should be hooks there are pauses and where the pauses should be something else that is entirely off exists. The band have good ideas, but this record does not push them to the expected limits and falls somewhat limp. I expected better, and it could have been worse...but this holds the interest the first time and fails to hold the attention the next.

Aborym satisfy a certain need for the "weird" but they don't really deliver anything that memorable on this CD. I have more memories of doing cocaine off the back of it than I do actually listening to it.

I'd say buy it if strange black metal appeals to you...but don't expect anything classic to come of it. It's an "ok" record from a band that could have been amazing...
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May. 2nd, 2004 @ 08:25 pm Gortician - Metal Up Your Cunt (1998 - Unsung Heroes Records)
I know my grade does not reflect the high standards of enjoyment I got out of this CD (more due to the poor recordings) but the absolute ATTACK on this is wonderful. Gortician may reign as the best band to have "never made it" on the sheer fact that they are simply more fun than any band alive.

The rousing drinking songs, pounding hardcore-influenced death metal, and slamming drums make Gortician one of the silliest bands alive. You can tell that they don't care if you like it, as they are rockin' out on these old classics as if only they can hear it.

They never did deliver the great studio record they originally planned - but they did deliver the fun with this and any fan of death metal, humor and a good time should listen to this.
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Apr. 18th, 2004 @ 09:41 pm Entombed/King Diamond @ L'amour - November 7th, 2003
Read more... )
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Apr. 18th, 2004 @ 04:57 pm Phoenix Reign - Demo (N/A - 2003)
Written by Snxke on December 26th, 2003


Phoenix Reign (formerly known as Phoenix when I first encountered them) happen to be one of the many New York city power metal bands popping up though the morass of crappy metal-core that seems to be currently overrunning the scene. The first two demos I received were exuberant but not exactly complete. The first demo featuring an old singer was quite, well, and crappy and the second featuring new vocalist Terri showed a lot of potential but suffered from a poor mix and a timid performance. Still, thankfully the band soldiered on and continued to attack on the live front as well as preparing for a third assault that does much to fix the material presented on the first two demos in terms of performance and production! The songs, this time around come across with a solid and crisp mix of guitars and vocals as well as decent packaging that will do a lot to help the band be taken seriously in comparison to the earlier CD-r presentations.

All of this history aside though, the band has some solid songs, and the songs are the most important part of this aren’t they? Since the demo is comparatively short I’ll make a point to address each and every song on its own merit…

- - -

1. Another Night Alone

This song is the best song on the demo without a doubt, the nimble-fingered riffery and strong vocals carry this song to a memorable spot that can keep playing in the mind long after putting the demo away. The solos, the riffs and the vocal melodies are all perfectly solid and make this the standout track on the CD. This is thoroughly enjoyable music in the style of Iron Maiden’s early recorded material. Killer’s with a female singer? I think this is a fair comparison, as Paul Di’Anno’s vocals would have made this a lost track off of the first two Iron Maiden records.

2. Power

This song is a tad bit slower in many ways, and does not stand out as much as it’s predecessor. It’s not a bad song, as the vocals carry it in many ways but it’s hardly the exciting blast of the opener and allows the CD to breathe a little. Overall, it’s not a poor song but I would have preferred the epic Constantinople to this song as an inclusion, though somehow that great track was left off the final demo. Oh well though, as the lead guitar work and vocal melodies on this towards the middle more than justify this songs existence.

3. Shredder

This song is another in the vein of Another Night Alone and it is equally as exciting. The vocal mix could used a little more chorus but overall the song has catchy melodies, pumping guitars and a solid beat to get behind. I think this song, buffering the excellence of Another Night Alone makes this demo extremely strong. I can’t figure out what the lyrics mean for the life of me still, though they seem to follow a stronger pattern than the original, but it matters little – the Iron Maiden styled riffs are full of piss and vinegar and the song simply rocks. This song marks a massive improvement to the version presented on the last demo.

4. One More Rendezvous

The title may seem a little silly but the song is the slowest and most pensive on the CD. This is not a bad song at all, but rings more like a semi-ballad than an intense metal number. I can’t complain about the softer nature of the song, but some might not be able to relate to this side of the band after hearing Another Night Alone – though this should be given a fair chance. The lead-work and the melodies ring like a sad love song in many ways.

- - -

This demo was an extremely large step for Phoenix Reign and should be given a chance by all fans of traditional metal and Iron Maiden styled metal. I am a little disappointed in that the song Constantinople wasn’t included but hey, maybe next time! Rumor has it that they are an excellent live band and that continues to make an impact in the New York club circuit. The only critique would be that they need someone with more skill at mixing vocals, but that is a minor complaint compared to the quality of the material contained within.

I give this release a solid “B” since the metal songs crunch and the ballads avoid being total cheese in a power-ballad sort of way. For the two songs I love, and the two I merely like I find nothing to worry about in the future with this band. Check them out if you can at http://www.phoenixreign.com. You won’t regret the decision…

http://www.phoenixreign.com
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Apr. 18th, 2004 @ 04:54 pm Venom - Temples of Ice (Under One Flag - 1991)
The Dolan fronted Venom limps on with this half baked effort that leaves the classic Venom fan far out in the cold along with those "Temples of Ice" they sing of. Some decent riffery, the singer sounds like Cronos enough to pass - but the magic is long gone. Songs like "Farie Tale" and the title track all just meander along looking for somewhere to go while certainly never finding it. The production is decent if not too cold for the band and the overall atmosphere simple isn't there. After the lucky strike of Prime Evil this record is just a step down the ladder to depths Venom should never sink... That's right kids - Venom got boring!

http://www.venomslegions.com
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